lunedì 27 agosto 2012

KAMIEL KLAASSE | NL Architects for NEW CONCORDIA ISLAND Contest /// Unpublished drawings and images of the shipwreck available after registration \\\


"Prices for certain building materials are skyrocketing. Copper and Bronze become so valuable that they now trigger specific criminal behavior. So-called ‘copper thieves’ risk their lives in a hunt for electricity cables, lightning rods, water spouts or railway conduits.
Especially Art in Public Space has proofed an easy target. Large sculptures were blatantly lifted from their bases to be melted back into raw material. In 2005 a 2000kg Henry Moore Sculpture was stolen near London. It might now be a door handle or a window profile…
Recently 7 bronzes were snatched from the garden of the Singer Museum in Laren among which a cast of Rodin’s Le Penseur. The robbers were caught in the middle of cutting up the sculpture into smaller pieces that would fit in the oven. Their lack of anatomic knowledge turned The Thinker into a horrific version of the Venus de Milo. Virtual Mutilation: looking at the sculpture actually hurts… a bizarre form of phantom pain.
Restoration took two years; an incredible effort, stunning recovery. But in a way the disfigured sculpture was even more compelling: a painful effigy of monumental stupidity….
The Concordia could perhaps be understood in a similar way. Could it turn us into Thinker?
Decommissioned ships are now sometimes used to spark marine life: sunken vessels turn into artificial reef. Could the Concordia form a fertile ground for a new biotope?
Will it be possible to imagine new functionality or new meaning for this monumental wreck? Can new life emerge from this tragedy?"


Kamiel Klaasse

www.icsplat.org

image: Rodin Penseur Wrecked

lunedì 20 agosto 2012

LORI NIX for NEW CONCORDIA ISLAND Contest /// Unpublished drawings and images of the shipwreck available after registration \\\












Iʼve always tried to turn unexpected or unfortunate situations into something positive. Rather than struggle to remove the shell of the Concordia, I would like to see the ship stay where it is, and be repurposed into a nature preserve. Empty subway cars are often used to offer shelter and rebuild populations of sea life. This ship could offer the same benefit to marine life in addition to providing a destination for adventurous divers. Above the waterline, they could introduce indigenous plants and other native species of bird and small animal to create a new habitat.


Lori Nix

www.icsplat.org

image: Lori Nix, Botanic Garden, 2008

venerdì 20 luglio 2012

NEW CONCORDIA ISLAND CONTEST


New Concordia Island Contest 
is a competition for ideas responding to the shipwreck of the Costa Concordia, a cruise ship of the Costa Crociere company, out from regular service after the shipwreck on the night of January 13, 2012 on the Giglio Island. The competition has the aim of stimulating new future visions for the Giglio Island and the shipwreck which will become as part of the same landscape and with the same identity. 
Recently the news reports that the exploration in the shipwreck to finding survivors and the phases of removing fuel have been concluded. The cleaning of the seabed around the shipwreck is currently underway and the final plan for the removal of the shipwreck will be released soon and could last for more than a year. At the same time faults in the movements of the hull are neither reported, nor in the research environment survey results of any pollutants escaping from the shipwreck and dispersed in surrounding sea. How to rethink the future of these places? What could the shipwreck become if it remains aground for a period longer than a year? How to program the steps for disassembling and dragging the parts? How to work with the shipwreck to build a form of memory? Is there any way to reconsider the Giglio island with this new outcropping rock that has changed the coastline?

Panel

Awards
1st place € 1500,00
FARM Special Prize € 1000,00
Special Prize € 500,00
and 7 Honorable Mentions

download notice of competition and submit your proposal www.icsplat.org 
DOMUS is media partner www.domusweb.it



sabato 2 giugno 2012

martedì 22 maggio 2012

WORKSHOP PICCOLA CAVA

INSTANT DESIGN LAB FOR THE VALLEY OF THE TEMPLES, AGRIGENTO


Archaeological and Landscape Park of the Valley of the Temples


The broad and unresolved question of the archaeological sites in Sicily needs an approach that is both pragmatic and visionary. On the one hand we must confront the current economic and social conditions worsened by the current crisis, on the other it is necessary to imagine other forms of architecture and dwelling places, cities and landscapes. We need a way of designing that is going to focus on the long-term vision but at the same time develops itself in the areas beside the individuals interested in a continuous dialogue.
In these circumstances it seems necessary to try a different model of production of architectural and urban design, imagining other ways and times in the relationship between client and designer.

Piccola cava


Piccola cava approach a field of exploration where architectural and archaeological practices overlap and mix with contemporary art. The activities on site are coordinated by a technical project instant Lab wich aims to build a space organized as a place for rest and reflection, dedicated to outdoor activities like reading and listening to music. The formal patterns become construction tools for project ideas in a process that aims to integrate the economic and technical level with architectural and landscape quality in order to imagine new ways of living.

sabato 19 maggio 2012

NEW CONCORDIA ISLAND ARCHITECTURE COMPETITION


NEW CONCORDIA ISLAND ARCHITECTURE COMPETITION


Collapse is the measure of erasing.

Can architecture suspend the erasing at the margins of disaster? Otherwise, can it trigger mechanisms of metabolism and coexistence with everyday life?

Why the reaction to the trauma is the removal of objects that can evoke the image of tragedy?

Why we use to rebuild previous states, totally ignoring that every tradition is a cultural invention?

Why do the answers to the tragedies exclude the possibility of transforming traumatic events in new visions for the future?


Why don't the erasure and the dispersion offer new scenario of intermediate transformation?


The program to participate at NEW CONCORDIA ISLAND ARCHITECTURE COMPETITION soon on www.icsplat.org

giovedì 12 aprile 2012