tag:blogger.com,1999:blog-40967339666860663232024-03-06T06:15:56.595+01:00architettura|a|bassa|definizioneLO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.comBlogger51125tag:blogger.com,1999:blog-4096733966686066323.post-43184260205137623792013-09-30T11:42:00.002+02:002013-09-30T11:58:59.709+02:00W038_CRUCIVERBA_11 Grammichele (CT), 2011 Addizione villa unifamiliare<div style="margin-bottom: 0cm; orphans: 0; widows: 0;">
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<span style="color: #444444;"><span style="font-family: MinionPro-Regular, serif;"><span style="font-family: Conduit-Light, serif; font-size: large;">L’ampliamento
della casa esistente è costruito per giustapposizione di volumi
seplici. </span></span><span style="font-family: Conduit-Light, serif; font-size: large; line-height: 120%;">Il
corpo centrale più alto, definito da 8 pilastri e una piastra in
c.a. a faccia vista si pone come baricentro della nuova
configurazione.</span></span></div>
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<span style="color: #444444; font-family: Conduit-Light, serif; font-size: large; text-align: center;"><span style="line-height: 28px;"> </span><span style="line-height: 120%;">La
facciata principale è definita da due muri a “L” aperti in forma
concava su un giardino cresciuto sui resti di una fondazione. Si
tratta di un frammento dell’ultimo volume che mostra in facciata le
superfici interne, mentre le pareti esterne in tufo si ritrovano
nello spazio domestico della nuova casa.</span></span></div>
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LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-3122602782563321912013-09-30T11:27:00.000+02:002013-09-30T11:27:11.074+02:00AGAMENNONE_12 Giampilieri, Messina (ME), 2012 Briglia selettiva<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
<span style="color: black;"><span style="font-family: MinionPro-Regular;"><span style="font-family: Conduit-Bold, Conduit Medium; font-size: large;">TERRITORI COMPLESSI</span><span style="font-family: Conduit-Light, Conduit Light;"></span></span></span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
<span style="color: #444444;"><span style="font-family: Conduit-Light, Conduit Light;">Una
stretta città continua si distende senza sosta a sud di Messina per
cinquanta chilometri, compressa tra la linea di costa e le montagne
che si impennano rapidamente. La densa occupazione edilizia ha
saturato ogni spazio cancellando nel tempo il letto di torrenti e fi
umare ormai dimenticate sotto il lastricato di vecchie tombinature.
Questa città lineare è alimentata dalle stringhe delle
infrastrutture che corrono a livelli diversi intrecciandosi. </span>
</span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
<span style="color: #444444; font-family: Conduit-Light, Conduit Light;">Le
enormi quantità di acqua e fango precipitate nella notte del 1°
Ottobre 2009 lasciano presagire un futuro prossimo in cui erosioni e
smottamenti continui generano materie impreviste per nuovi paesaggi.</span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
<span style="color: #444444; font-family: Conduit-Light, Conduit Light;">Il
tempo breve dell’abitare si coniuga con il tempo lungo dei cicli
naturali. L’azione dirompente delle frane apre gli alvei torrentizi
dentro la densità consolidata dei paesi anche più antichi. L’evento
imprevisto ridisegna i margini degli spazi urbani attraverso i
movimenti della gente che si raccoglie nei punti più sicuri. Da quel
momento la geografi a dei luoghi familiari muta radicalmente e i dati
conosciuti si dispongono in sequenza su un nuovo foglio bianco.</span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
<span style="color: #444444;"><span style="font-family: Conduit-Light, Conduit Light;">L’emergenza
è una sospensione del tempo che impone un ripensamento sulla durata
delle trasformazioni e sul ruolo delle architetture: occorre pensare
rapide azioni dentro visioni a lungo termine. </span>
</span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
</div>
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<span style="color: #444444; font-family: Conduit-Light, Conduit Light;">Il
progetto misura le questioni e individua le soluzioni possibili.</span></div>
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<span style="font-family: Conduit-Light, Conduit Light;"><br /></span></div>
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<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
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<span style="color: black;"><span style="font-family: Conduit-Light, Conduit Light; font-size: large;"><b>AGAMENNONE</b></span></span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
<span style="color: #444444; font-family: Conduit-Light, Conduit Light; font-size: large;">Il
collasso è in grado di porre l’obiettivo della messa in sicurezza,
in modo da declinarla con la scoperta di altri modi per rigenerare
parti di città o di paesaggio, cogliendo l’occasione per farle
appartenere con più forza alla contemporaneità?</span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
<span style="color: #444444;"><span style="font-family: Conduit-Light, Conduit Light; font-size: large;">Una
briglia selettiva e un canale fugatore diventano terreno di
sperimentazione attiva e laboratorio di sviluppo futuro sostenibile
della città; un nuovo collegamento urbano in quota e la ricerca
costante di rendere gli spazi della </span><span style="font-family: Conduit-Light, 'Conduit Light'; font-size: large; line-height: 120%;">tecnica
nuove forme di abitare il territorio.</span></span></div>
<div align="JUSTIFY" style="line-height: 120%; margin-bottom: 0cm; orphans: 0; widows: 0;">
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<span style="color: black;"><span style="font-family: Conduit-Light, Conduit Light;"> <span style="font-size: x-small; line-height: 15px; text-align: center;"> Foto di Peppe Maisto</span> </span></span><span style="color: black;"><span style="font-family: Conduit-Light, Conduit Light;"><span style="font-size: x-small; line-height: 120%; text-align: center;"><br /></span></span></span><span style="color: black;"><span style="font-family: Conduit-Light, Conduit Light;"><div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-small;"> Foto di Peppe Maisto</span></div>
</span></span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-73197976775015091342013-09-30T11:02:00.000+02:002013-09-30T12:01:28.034+02:00MIMETICA _ Ponte Schiavo, Messina (ME), 2012 Briglia selettiva _ Nuova piazza<br />
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<span style="font-family: MinionPro-Regular, serif;"><span style="font-family: Conduit-Light, serif;"><span style="color: #444444; font-size: large;">Il
progetto si sviluppa da monte a valle fino alla costa urbanizzata.
Sulla linea della sezione si articolano una serie di interventi che
vanno dalla scala del paesaggio con la sistemazione del grande muro
in c.a. rivestito da una pelle mimetica dipinta e delle briglie
selettive realizzate con gabbionate di pietra locale, alla scala
urbana con la sistemazione di una piccola piazza che declina in forma
domestica alcuni elementi del catalogo generale definito dal progetto
di coordinamento.</span></span></span></div>
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<span style="font-family: MinionPro-Regular, serif;"><span style="font-family: Conduit-Light, serif;"><span style="color: #444444; font-size: x-small;"> Foto di Peppe Maisto</span></span></span></div>
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<span style="font-family: MinionPro-Regular, serif;"><span style="font-family: Conduit-Light, serif;"><span style="color: #444444; font-size: x-small;"> <span style="line-height: 120%;"> </span><span style="line-height: 120%;">Foto di Laura Cantarella</span></span></span></span><br />
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<span style="line-height: 120%;">Foto di Peppe Maisto</span></span></span></span><span style="font-family: MinionPro-Regular, serif;"><span style="font-family: Conduit-Light, serif;"><span style="color: #444444; font-size: x-small;"><div class="separator" style="clear: both; text-align: center;">
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<span style="line-height: 15px; text-align: start;"> Foto di Peppe Maisto</span></div>
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<span style="line-height: 15px; text-align: start;"> Foto di Andrea Botto</span></div>
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</span></span></span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-79795554137260358952013-08-06T19:05:00.000+02:002013-08-10T16:38:31.647+02:00CANTIERE IDENTITA' VISIVA Contest di progetto grafico 2/9 settembre 2013<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWrvsFucX_41k-qKoTbweKmEI6RDv7ruRGucfYqM4GC6LZbqLUPy9teJW1CsMOoBvASQG2wpJk8BIZGNxvXS0CZ63hzD_xFTCsBbHmsSDIAyPjGQqq9Qnd46aRRuHiXMn83Zi44uV0xRo/s1600/CIV+PROROGA.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWrvsFucX_41k-qKoTbweKmEI6RDv7ruRGucfYqM4GC6LZbqLUPy9teJW1CsMOoBvASQG2wpJk8BIZGNxvXS0CZ63hzD_xFTCsBbHmsSDIAyPjGQqq9Qnd46aRRuHiXMn83Zi44uV0xRo/s640/CIV+PROROGA.jpg" width="640" /></a></div>
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span></span>
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">L’obiettivo del contest è orientato a definire l’identità visiva della Scuola di Architettura di Siracusa attraverso un processo di disvelamento dei caratteri e di condivisione di un’immagine rappresentativa efficace a migliorare la visibilità della scuola e delle sue attività e ricerche.</span></span><br />
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<span class="Apple-style-span" style="color: #37404e; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px;"><a href="http://we.tl/bNIJHycOyn" target="_blank">SCARICA IL BANDO</a></span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Il Contest si svolge da 2 al 9 settembre 2013 presso la sede della Scuola di Architettura di Siracusa e si articola in 5 laboratori curati da:</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Carlo Coniglio | i-white design</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Cinzia Ferrara | ferrarastudio</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Gianni Latino | studiolatino</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Walter Silvestrini | PixelXpixeL</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Francesco Trovato | Officina22</span></span><br />
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<span class="Apple-style-span" style="color: #37404e; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px;">Ogni laboratorio prepara 3 proposte di progetto per il logo e l’immagine coordinata. I risultati saranno presentati al temine del contest a una giuria di visitings che seleziona 3 proposte di progetto.</span><br />
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<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Giuria:</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Giovanni Anceschi</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Francesco Garofalo</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Mario Lupano</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Bruno Monguzzi</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">(membri esterni)</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span></span>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Osvaldo Amodeo</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Tommaso Bartoloni</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Francesca Castagneto</span></span><br />
<span class="Apple-style-span" style="color: #37404e; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="line-height: 18px;">Paola Barbera</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Zaira Dato</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Edoardo Dotto</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Vittorio Fiore</span></span><br />
<span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Nicola Impollonia</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Bruno Messina</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Marco Navarra</span><span class="Apple-style-span" style="color: #37404e; line-height: 18px;"> </span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e;"><span class="Apple-style-span" style="line-height: 18px;">Carmelo Nigrelli</span></span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">(membri interni)</span></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;"><br /></span></span>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Deadline: 19 agosto 2013.</span><br /><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Organizzato da SUxArSi</span><br /><span class="Apple-style-span" style="color: #37404e; line-height: 18px;">Info: antoniorizzo@icsplat.org</span></span><br />
<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-27675559581739053422012-12-15T17:21:00.000+01:002012-12-15T17:53:17.379+01:00ICSplat announces the winners of New Concordia Island Contest <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9nZ116BkCd0GDEFRxsUXNaWdoQRQHh95PMoFIUF-nWd4sRsitYvhI6YZbi7ixGC4gUxSgq7h61jThtVBGwwE0179Ee0Zje0U2ClgEZ4tzttYgYx7ShqzGbyyGijEmcT1Ai9u01Qk0cng/s1600/CONCORDIAbassadefinizione.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9nZ116BkCd0GDEFRxsUXNaWdoQRQHh95PMoFIUF-nWd4sRsitYvhI6YZbi7ixGC4gUxSgq7h61jThtVBGwwE0179Ee0Zje0U2ClgEZ4tzttYgYx7ShqzGbyyGijEmcT1Ai9u01Qk0cng/s640/CONCORDIAbassadefinizione.jpg" width="433" /></a></div>
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<a href="http://www.icsplat.org/" target="_blank">see all the projects</a></div>
<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-50905393357648321902012-09-15T15:11:00.002+02:002012-11-20T15:51:44.022+01:00ANDREA BARTOLI for NEW CONCORDIA ISLAND Contest /// Unpublished drawings and images of the shipwreck available after registration \\\<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhekURkV7Rgtjs-hl1enWBuCA_QLrAhkwKVvHXNcMsnF1d-rBmHwpYfuHqk4iZqV4UoGHLvlm9XXcp3o3PcAO53peWR0oD69Or266-qlly8nNVBGtQW9K51ux7cQ9tAenf52_OWIdj4ov8/s1600/new+concordia+01.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="339" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhekURkV7Rgtjs-hl1enWBuCA_QLrAhkwKVvHXNcMsnF1d-rBmHwpYfuHqk4iZqV4UoGHLvlm9XXcp3o3PcAO53peWR0oD69Or266-qlly8nNVBGtQW9K51ux7cQ9tAenf52_OWIdj4ov8/s640/new+concordia+01.jpeg" width="640" /></a></div>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i><a href="http://www.farm-culturalpark.com/" target="_blank"><b>Andrea Bartoli</b>_FARM Cultural Park</a></i><i><br /></i><i><a href="http://www.icsplat.org/">www.icsplat.org</a></i></span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-82651589292722846442012-09-14T19:13:00.003+02:002012-09-14T19:14:06.122+02:00NEW CONCORDIA ISLAND CONTEST il venerdì di Repubblica n.1278 - 14 settembre 2012 Che fare per recuperare la Costa Concordia? Le idee vengono a galla di Paola Nicita<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZbWlQTWXCzo2GULv04_Si5ed5eFzodWWhxFTPgjiAXuSp2NQlwirhKp88d40MbTDQtU-jv8Uc8vURq9OZhZECe2R43TeawbL5-L8NUzTtNxC8W9ddFQufWY0R09ihyphenhyphen-t9QvM3RIZADoA/s1600/idee+a+galla_low.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="552" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZbWlQTWXCzo2GULv04_Si5ed5eFzodWWhxFTPgjiAXuSp2NQlwirhKp88d40MbTDQtU-jv8Uc8vURq9OZhZECe2R43TeawbL5-L8NUzTtNxC8W9ddFQufWY0R09ihyphenhyphen-t9QvM3RIZADoA/s640/idee+a+galla_low.jpg" width="640" /></a></div>
<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-73821470734458242862012-09-07T18:18:00.000+02:002012-09-08T11:04:11.853+02:00LUCA EMANUELI for NEW CONCORDIA ISLAND Contest /// Unpublished drawings and images of the shipwreck available after registration \\\<br />
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<b><span class="Apple-style-span" style="font-size: small;">ipernaturale</span></b><br />
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<span class="Apple-style-span" style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0k8k9a5jQDoMrfj1I2AoqNs4UmWMWK6hJ37At06j0vuxDzTlVKD5327S_B1c92DMqrBnqZ-Padc0dnniQ02knvj-1FvK5JSrif3wrZy716CH6LxmFa6J0Mt3Eex2xdxxlKIxQg7RVg9E/s1600/Schermata+2012-09-07+a+17.58.20.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0k8k9a5jQDoMrfj1I2AoqNs4UmWMWK6hJ37At06j0vuxDzTlVKD5327S_B1c92DMqrBnqZ-Padc0dnniQ02knvj-1FvK5JSrif3wrZy716CH6LxmFa6J0Mt3Eex2xdxxlKIxQg7RVg9E/s640/Schermata+2012-09-07+a+17.58.20.png" width="640" /></a></span></div>
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<span class="Apple-style-span" style="font-size: small;">a clarification the distinction between natural and artificial is not useful. arguments focused on the dichotomy between these terms only lead to confusion. talking about nature, the conclusions of the reasoning becomes too often an act of faith.</span></div>
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<span class="Apple-style-span" style="font-size: small;">with the semi-sunken Concordia at the Giglio island we are faced with a new landscape, an altered environment due to the accident, the result of an error, and in front of which, even if we presume its removal, the most predictable scenario, we are forced to think about. beyond what will be the destiny of the wreck (the removal of the error without a trace, then the recovery and recycling; the wreck as part of the landscape, and the displacement of the problem, namely the wreck) anyway the environment, never static and immutable, is affected by a sudden and violent change, and the temporary presence of the Concordia opens the reasoning on possible operating methods of interventions and programming to be approached, on an environmental scale, with a pragmatic attitude.</span></div>
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<span class="Apple-style-span" style="font-size: small;">potentially, even if in a temporary form, it's an hypernatural environment.</span></div>
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<span class="Apple-style-span" style="font-size: small;">for hypernatural environments we mean artificial environments that generate new landscapes, new sustainable habitats, radicals scenarios of growth. interventions whose aims are extremely pragmatic and so exasperated that blend and structure new relationships with the environment.</span></div>
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<span class="Apple-style-span" style="font-size: small;">the scale makes visible the transformation of the territory, seen as an opportunity to think about new environments suspended between natural and artificial, uncommon landscapes, where it is possible to experiment new approaches. without fear of the materials used, but exploiting and directing their possible interactions to initiate more sustainable processes, with lower impact, where nature and time play a leading role and they are not a banal background or an immutable context to preserve or restore.</span></div>
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<span class="Apple-style-span" style="font-size: small;">an environment is hypernatural when this process is designed, programmed in time with the awareness that the interaction with nature leads to the unpredictability of some results that may, however, create new scenarios. time acts on the environment that can not degrade but only evolve.</span></div>
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<span class="Apple-style-span" style="font-size: small;"><i><b><a href="http://www.lucaemanueli.net/" target="_blank">luca emanueli con carlo ruyblas lesi e gianni lobosco</a></b></i></span><br />
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<span class="Apple-style-span" style="font-size: small;"><i><a href="http://www.icsplat.org/">www.icsplat.org</a></i></span></div>
LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-77750095249457717462012-09-03T13:02:00.000+02:002012-09-08T11:04:53.520+02:00FRANÇOIS ROCHE | R&Sie(n) for NEW CONCORDIA ISLAND Contest /// Unpublished drawings and images of the shipwreck available after registration \\\<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b>"gre(Y)en"</b></span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">This seems to be a history of the stuttering between Green and Grey, between chlorophyll addiction, the dream of an ideal biotope re-primitivised and re-artificialized in pursuit of paradise lost, of Eden Park lost, a story to calm the fears of little boys and girls, and Grey, the dark grey that never appears in the visible spectrum (“The Devilʼs best trick is to convince you that he doesnʼt exist,” wrote Baudelaire<span style="font: normal normal normal 6.5px/normal Helvetica;">1</span>), an antagonistic stealthy force, an embedded demon – a mix of contradictory human desires emerging from the mud, from permanent, unpredictable and relentless conflicts, factors of domination and servitude, destruction and emergences, sparking unlimited quantities of arrogance and illusion, where the notion of success or failure depends on a kind of absurd Pendulum<span style="font: normal normal normal 6.5px/normal Helvetica;">2 </span>swing between life and death, caressing the boundaries of both in an infinitely unstable movement, polymerizing ugliness and beauty, obstacle and possibilities, waste materials and efflorescence, threats and protection, the fantasy of technology and revenge on nature, all knotted together in a process of becoming, a never-ending movement... where we glide into a silky, strange sensation that scares and caresses you... that scares and caresses you...<br />We are at a crossroads. Faced with the autistic, blind, deaf and mute violence of our technological, industrial and mercantile machinery and our own human servo-mechanism, nature reacts... with violence and without warning, in a flattering of the original chaos... a mutiny against human organization... Gaia seems to take revenge (Katrina, El Niño, Hurricane Jeanne, the cyclones Thomas and Nargis, the Xynthia storm and the Ewiniar typhoon, the Indonesian and Japanese earthquakes with their collateral tsunamis all the way to Fukujima... a chain of devastating incertitude, unpredictable despite our seismographic sciences). The elements rage, and the gods, so quick to pardon our folly, seem powerless to appease the rebellion, armed with infernal power...<br />Nature is not an ideological “greenwashing” for backyard politics, nor the millenarian, eschatologist dream of Eden Park from which we have very fortunately escaped, freeing ourselves from gatherer- hedonist blindness, to negotiate consciousness with the hostile dark forces stuck in the depths of the forest...<br />But these forces have come out of their hiding places, their biotopes, they are invading the spaces that Man had thought he could take without giving anything in exchange, with no transaction. War has been declared... natureʼs revenge is not a bedtime story for innocent brains... our bellicose enemy operates openly... in the light of day... the ultimate arrogance.<br />How could we reveal the conflict between the strategies of “knowledge and domination” of the former and the monstrous wild beauty of the latterʼs destructive power in this field of an unpredictable battle, cleared of all that greenish moralistic junk and its post- capitalist allure...</span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: small;"><i><a href="http://www.new-territories.com/" target="_blank">F Roche</a> / Part of a text for “Global Design NYU 2012” / London</i></span></h3>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i><a href="http://www.icsplat.org/">www.icsplat.org</a></i></span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i><br /></i>1<br />“Mes chers frères, n'oubliez jamais, quand vous entendrez vanter le progrès des lumières, que la plus<br />belle des ruses du diable est de vous persuader qu'il n'existe pas,” Baudelaire, “Spleen of Paris”, 1858.<br />2<br />Edgar Allen Poeʼs “The Pit and the Pendulum” was the first Bachelor Machines scenario.</span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-45064714996572471792012-08-27T19:49:00.000+02:002012-09-08T11:05:33.432+02:00KAMIEL KLAASSE | NL Architects for NEW CONCORDIA ISLAND Contest /// Unpublished drawings and images of the shipwreck available after registration \\\<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1FZSQhN_7kpIBQLeyoj5OOryfWlHmHqck3jReI4p1GizYBffyRZ7MBKl_YQMXpq_J4jkQbmwkCyHi9EEybTx7TMUqCPcJauFHBx4W9JbLkT7_HglpOPAez4zgyPdR5kJU3CVHCoUM2FA/s1600/Rodin+Penseur+Wrecked.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1FZSQhN_7kpIBQLeyoj5OOryfWlHmHqck3jReI4p1GizYBffyRZ7MBKl_YQMXpq_J4jkQbmwkCyHi9EEybTx7TMUqCPcJauFHBx4W9JbLkT7_HglpOPAez4zgyPdR5kJU3CVHCoUM2FA/s1600/Rodin+Penseur+Wrecked.jpg" /></a></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="line-height: 18px;">"Prices for certain building materials are skyrocketing. Copper and Bronze become so valuable that they now trigger specific criminal behavior. So-called ‘copper thieves’ risk</span> their lives in a hunt for electricity cables, lightning rods, water spouts or railway conduits.<br />
Especially Art in Public Space has proofed an easy target. Large sculptures were blatantly lifted from their bases to be melted back into raw material. In 2005 a 2000kg Henry Moore Sculpture was stolen near London. It might now be a door handle or a window profile…<br />
Recently 7 bronzes were snatched from the garden of the Singer Museum in Laren among which a cast of Rodin’s Le Penseur. The robbers were caught in the middle of cutting up the sculpture into smaller pieces that would fit in the oven. Their lack of anatomic knowledge turned The Thinker into a horrific version of the Venus de Milo. Virtual Mutilation: looking at the sculpture actually hurts… a bizarre form of phantom pain.<br />
Restoration took two years; an incredible effort, stunning recovery. But in a way the disfigured sculpture was even more compelling: a painful effigy of monumental stupidity….<br />
The Concordia could perhaps be understood in a similar way. Could it turn us into Thinker?<br />
Decommissioned ships are now sometimes used to spark marine life: sunken vessels turn into artificial reef. Could the Concordia form a fertile ground for a new biotope?<br />
Will it be possible to imagine new functionality or new meaning for this monumental wreck? Can new life emerge from this tragedy?"</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #3d85c6; font-size: small;"><i><a href="http://www.nlarchitects.nl/" target="_blank">Kamiel Klaasse</a></i></span></span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">image: Rodin Penseur Wrecked</span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-80558100091289019532012-08-20T19:03:00.001+02:002012-09-11T11:55:38.712+02:00LORI NIX for NEW CONCORDIA ISLAND Contest /// Unpublished drawings and images of the shipwreck available after registration \\\<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6m7aV-0aFTsHQPsHKh1FqWcjP4xB6v2jG4nlSfWPmF5ktV5Q910PD37Lq29g5mFfmwwglXrA42IObSI1G0ITugSGQg5MImLXL4VsEYpltVC_QOO2wRMEaVCGJtv-NefwmCajaGav_HuE/s1600/Botanic+Garden.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6m7aV-0aFTsHQPsHKh1FqWcjP4xB6v2jG4nlSfWPmF5ktV5Q910PD37Lq29g5mFfmwwglXrA42IObSI1G0ITugSGQg5MImLXL4VsEYpltVC_QOO2wRMEaVCGJtv-NefwmCajaGav_HuE/s1600/Botanic+Garden.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6m7aV-0aFTsHQPsHKh1FqWcjP4xB6v2jG4nlSfWPmF5ktV5Q910PD37Lq29g5mFfmwwglXrA42IObSI1G0ITugSGQg5MImLXL4VsEYpltVC_QOO2wRMEaVCGJtv-NefwmCajaGav_HuE/s640/Botanic+Garden.jpeg" width="640" /></a><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;"></span><br />
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<span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;"><span class="Apple-style-span" style="font-size: 15px;"><br /></span></span>
<span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;"><span class="Apple-style-span" style="font-size: 15px;">Iʼve always tried to turn unexpected or unfortunate situations into something positive. Rather than struggle to remove the shell of the Concordia, I would like to see the ship stay where it is, and be repurposed into a nature preserve. Empty subway cars are often used to offer shelter and rebuild populations of sea life. This ship could offer the same benefit to marine life in addition to providing a destination for adventurous divers. Above the waterline, they could introduce indigenous plants and other native species of bird and small animal to create a new habitat.</span></span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20px;"><br /></span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20px;"><i><br /></i></span><br />
<span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20px;"><i><a href="http://www.lorinix.com/" target="_blank">Lori Nix</a></i></span><br />
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<span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20px;"><br /></span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20px;">image: Lori Nix, Botanic Garden, 2008</span><br />
<span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif;"><span class="Apple-style-span" style="font-size: 15px; line-height: 20px;"><br /></span></span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-3454156186178601022012-07-20T11:01:00.001+02:002012-07-25T23:46:02.537+02:00NEW CONCORDIA ISLAND CONTEST<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif; margin-left: 1em; margin-right: 1em;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfnZEJCCLU_lk1Vgt7t4CjXb2aJrdGRx35qnSYqpvaHaqUIskOYSVpfGiT87z1VMrj0xGFK954tLNExhTwDA6Ip34yhQTy0D4xB28wB9aW2hRMYf-AOmG89afmxEyp00KojytnkMGdNKU/s1600/NEWCONCORDIAISLAND_engsmallest.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfnZEJCCLU_lk1Vgt7t4CjXb2aJrdGRx35qnSYqpvaHaqUIskOYSVpfGiT87z1VMrj0xGFK954tLNExhTwDA6Ip34yhQTy0D4xB28wB9aW2hRMYf-AOmG89afmxEyp00KojytnkMGdNKU/s1600/NEWCONCORDIAISLAND_engsmallest.jpg" /></a></span></div>
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<b><span style="color: #666666;"><span class="evidenza" style="font-family: Arial, Helvetica, sans-serif; font-size: 16pt;">New Concordia Island Contest</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: 13px;"> </span></span></b><br />
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<span style="color: #666666;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: 13px;">is a competition for ideas responding to the shipwreck of the Costa Concordia, a cruise ship of the Costa Crociere company, out from regular service after the shipwreck on the night of January 13, 2012 on the Giglio Island. </span><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;">The competition has the aim of stimulating new future visions for the Giglio Island and the shipwreck which will become as part of the same landscape and with the same identity. </span></span></div>
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<span style="background-color: white; color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px;">Recently the news reports that the exploration in the shipwreck to finding survivors and the phases of removing fuel have been concluded. The cleaning of the seabed around the shipwreck is currently underway and the final plan for the removal of the shipwreck will be released soon and could last for more than a year. At the same time faults in the movements of the hull are neither reported, nor in the research environment survey results of any pollutants escaping from the shipwreck and dispersed in surrounding sea. How to rethink the future of these places? What could the shipwreck become if it remains aground for a period longer than a year? How to program the steps for disassembling and dragging the parts? How to work with the shipwreck to build a form of memory? Is there any way to reconsider the Giglio island with this new outcropping rock that has changed the coastline?</span></div>
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<a href="http://icsplat.altervista.org/pagine%20interne/concopanel.html" style="text-decoration: none;"><span style="color: #666666;"><span class="evidenza" style="font-size: 16pt;">Cristina Díaz Moreno</span> - <span class="evidenza" style="font-size: 16pt;">Efrén García Grinda</span> AMID (cero9) _ Madrid<br /><span class="evidenza" style="font-size: 16pt;">Andrea Bartoli</span> FARM CULTURAL PARK _ Favara<br /><span class="evidenza" style="font-size: 16pt;">Luca Emanueli</span> SEALINElab _ Ferrara<br /><span class="evidenza" style="font-size: 16pt;">Eva Franch i Gilabert</span> STOREFRONT Director _ NY<br /><span class="evidenza" style="font-size: 16pt;">Joseph Grima</span> DOMUS Director _ Milan<br /><span class="evidenza" style="font-size: 16pt;">Kamiel Klaasse </span>NLarchitects _ Amsterdam<br /><span class="evidenza" style="font-size: 16pt;">Geoff Manaugh </span>BLDGBLOG _ Los Angeles<br /><span class="evidenza" style="font-size: 16pt;">Marco Navarra</span> NOWA _ Caltagirone<br /><span class="evidenza" style="font-size: 16pt;">Lori Nix</span> _ NY<br /><span class="evidenza" style="font-size: 16pt;">François Roche</span> R&Sie(n) _ Paris<br /><span class="evidenza" style="font-size: 16pt;">Italo Rota </span>_ Milan<br /><span class="evidenza" style="font-size: 16pt;">Yoshiharu Tsukamoto </span>Atelier Bow-Wow _ Tokyo</span></a></div>
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<b><span class="evidenza" style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 16pt;">Awards</span></b></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px;">1st place € 1500,00</span></div>
<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px;">FARM Special Prize € 1000,00</span><br />
<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px;">Special Prize € 500,00</span><br />
<span style="color: #666666;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: 13px;">and 7 Honorable Mentions</span>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #666666;"><i>download notice of competition and submit your proposal <a href="http://icsplat.org/">www.icsplat.org</a> </i></span></span><br />
<i style="color: #666666; font-family: Arial, Helvetica, sans-serif;">DOMUS is media partner <a href="http://www.domusweb.it/en/news/concordia-island/">www.domusweb.it</a></i><br />
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<br /></div>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com4tag:blogger.com,1999:blog-4096733966686066323.post-43877931413787867912012-06-02T21:47:00.002+02:002012-06-07T16:29:20.364+02:00HERE WE GO!<h3>
<span style="color: #666666;">PICCOLA CAVA instant design lab</span></h3>
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-90812811038431097142012-05-29T12:19:00.000+02:002012-05-29T16:25:14.544+02:00WORKSHOP PICCOLA CAVA 31/05-03/06<div class="separator" style="clear: both; text-align: center;">
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-18756230164485627512012-05-22T17:10:00.002+02:002012-06-07T16:22:22.863+02:00WORKSHOP PICCOLA CAVA<div class="separator" style="clear: both; text-align: center;">
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<h4>
<b style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #999999;">INSTANT DESIGN LAB FOR THE VALLEY OF THE TEMPLES, AGRIGENTO</span></b></h4>
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<b style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #999999;">Archaeological and Landscape Park of the Valley of the Temples</span></b></h3>
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<span style="font-family: Arial, Helvetica, sans-serif;">The broad and unresolved question of the archaeological sites in Sicily needs an approach that is both pragmatic and visionary. On the one hand we must confront the current economic and social conditions worsened by the current crisis, on the other it is necessary to imagine other forms of architecture and dwelling places, cities and landscapes. </span><span style="font-family: Arial, Helvetica, sans-serif;">We need a way of designing that is going to focus on the long-term vision but at the same time develops itself in the areas beside the individuals interested in a continuous dialogue.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">In these circumstances it seems necessary to try a different model of production of architectural and urban design, imagining other ways and times in the relationship between client and designer.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span class="s1" style="color: #999999;"><b style="background-color: white;">Piccola cava</b></span></span></h3>
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<span style="font-family: Arial, Helvetica, sans-serif;"><i>Piccola cava</i> approach a field of exploration where architectural and archaeological practices overlap and mix with contemporary art. The activities on site are coordinated by a technical project instant Lab wich aims to build a space organized as a place for rest and reflection, dedicated to outdoor activities like reading and listening to music. </span><span style="font-family: Arial, Helvetica, sans-serif;">The formal patterns become construction tools for project ideas in a process that aims to integrate the economic and technical level with architectural and landscape quality in order to imagine new ways of living.</span></div>
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-40972395432380878282012-05-19T01:22:00.000+02:002012-06-07T17:03:50.196+02:00NEW CONCORDIA ISLAND ARCHITECTURE COMPETITION<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;">NEW CONCORDIA ISLAND ARCHITECTURE COMPETITION</span></div>
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<span style="color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif;"><span style="line-height: 16px;"><br /></span></span></div>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: grey; line-height: 16px;"><span class="text_exposed_show" style="display: inline;">Collapse is the measure of erasing.</span></span></span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: grey; line-height: 16px;"><span class="text_exposed_show" style="display: inline;">Can architecture suspend the erasing at the margins of disaster? Otherwise, can it trigger mechanisms of metabolism and coexistence with everyday life?</span></span></span><br />
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<span class="Apple-style-span" style="color: grey; line-height: 16px;"><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Why the reaction to the trauma is the removal of objects that can evoke the image of tragedy?</span></span></span><br />
<span class="Apple-style-span" style="color: grey; line-height: 16px;"><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span></span></span></div>
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<span class="Apple-style-span" style="color: grey; line-height: 16px;"><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Why we use to rebuild previous states, totally ignoring that every tradition is a cultural invention?</span></span></span></div>
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<span style="color: grey; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span style="line-height: 16px;"><br /></span></span></div>
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<span class="Apple-style-span" style="color: grey; line-height: 16px;"><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Why do the answers to the tragedies exclude the possibility of transforming traumatic events in new visions for the future?</span></span></span></div>
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<span style="color: grey; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span style="line-height: 16px;"><br /></span></span><br />
<span class="Apple-style-span" style="color: grey; line-height: 16px;"><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Why don't the erasure and the dispersion offer new scenario of intermediate transformation?</span></span></span></div>
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<span class="Apple-style-span" style="color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 16px;"><span class="Apple-style-span" style="font-weight: normal;">The program to participate at NEW CONCORDIA ISLAND ARCHITECTURE COMPETITION soon on </span><a href="http://www.icsplat.org/" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">www.icsplat.org</a></span></div>
</blockquote>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-57002986818761349262012-05-07T22:13:00.000+02:002012-05-11T15:17:53.329+02:00TEATRI ABITANTI @ Teatro Valle Occupato & Nuovo Cinema Palazzo<div class="separator" style="clear: both; text-align: center;">
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<a href="http://www.icsplat.org/" target="_blank"><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: large;">visita ICSplat per visualizzare i contenuti completi</span></a></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><a href="http://issuu.com/paul_ed/docs/vallefreepress/1" target="_blank">Leggi il FreePress Teatri Abitanti di Teatro Valle Occupato</a></span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><a href="http://www.youtube.com/watch?feature=player_embedded&v=HHDAHAdM-5w" target="_blank">Montaggio della cellula per abitare il Teatro Valle Occupato</a></span></div>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-70140837579241627772012-04-12T19:01:00.000+02:002012-04-12T19:02:03.968+02:00TEATRI ABITANTI_Workshop di Progetto @ Teatro Valle Roma<div class="separator" style="clear: both; text-align: center;">
<a href="http://icsplat.altervista.org/pagine%20interne/teatri_bando.html" style="font-family: Arial, Helvetica, sans-serif; text-align: -webkit-auto;" target="_blank">Scarica il Bando di Concorso su ICSplat</a></div>
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-44757335303836007462012-04-12T18:33:00.001+02:002012-04-12T18:35:20.772+02:00"A destinazione"<h2>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">ICSplat partecipa al</span></h2>
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<span style="font-family: Arial, Helvetica, sans-serif;">III WORKSHOP DI PROGETTAZIONE</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">"A Destinazione"</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">30 aprile > 5 maggio 2012</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Villa Brandolini, Solighetto di Pieve di Soligo (TV)</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-63083521313201997042012-03-17T12:46:00.001+01:002012-03-17T12:49:25.765+01:00TERRE FRAGILI #2<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;">Campus territoriale di progetto</span></div>
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-16553473161616383512012-03-17T12:34:00.002+01:002012-03-17T12:34:27.840+01:00WARM-UP<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">seminario miltidisciplinare sulla ricerca in territori fragili</span></div>
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-69407909755155760912012-03-13T11:57:00.003+01:002012-03-13T11:59:30.732+01:00Campus di fotografia TF2 | Filippo Romano | Ventre di Fiumara<div class="separator" style="clear: both; text-align: center;">
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-87870317159527923722012-03-09T10:19:00.001+01:002012-03-09T18:42:11.234+01:00BANDO TERRE FRAGILI-Critica e documentazione<div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">BANDO DI SELEZIONE</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Direttore scientifico Marco Navarra </b>| Università degli Studi di Catania</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Tutor </span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Manuel Orazi </b>| Edizioni Quodlibet - Macerata</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Tutors di altri laboratori </span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Frederic Bonnet </b>| Università della Svizzera Italiana - Mendrisio </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Eduard Bru </b>| Universitat Politècnica de Catalunya ETSAB - Barcelona </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Luca Emanueli </b>| Università di Ferrara <b>Marco Navarra </b>| Università di Catania </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Stefano Munarin / Maria Chiara Tosi </b>| Università IUAV di Venezia </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Juan Manuel Palerm </b>| Universidad ULPG Canarias - Gran Canaria</span><br />
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Visitings</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Mario Lupano </b>| Università IUAV di Venezia</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Ilka Ruby </b>| RubyPress - Berlin</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Paola Viganò </b>| Università IUAV di Venezia</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Andrea Bartoli</b> | FARM Cultural Park</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: x-small;">Responsabile del Coordinamento</span><span style="font-size: xx-small;"> Antonio Rizzo </span></b><span style="font-size: xx-small;">| NOWA </span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: x-small;">Organizzazione</span><span style="font-size: xx-small;"> </span></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: xx-small;">ICSplat | </span></b><span style="font-size: xx-small;">Camping of permanent research – agenzia di investigazione paesaggi in movimento</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: x-small;">Partnership</span><span style="font-size: xx-small;"> </span></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: xx-small;">DARC Dipartimento di Architettura </span></b><span style="font-size: xx-small;">| Università di Catania </span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b style="font-size: x-small;">Dipartimento di Protezione Civile </b><span style="font-size: xx-small;">| Presidenza della Regione Siciliana</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: x-small;">Patrocinio</span></b><b style="font-size: x-small;"> </b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: xx-small;">Ufficio del Genio Civile di Messina Provincia Regionale di Messina Comune di Messina Comune di Itala Comune di Scaletta Zanclea Ordine degli Architetti di Messina Ordine degli Ingegneri di Messina Ordine dei Geologi di Messina</span></span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">1. Soggetti promotori</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">L’associazione culturale ICSplat, con il DARC dell’Università degli Studi di Catania e il Dipartimento di Protezione Civile - Presidenza della Regione Siciliana, promuove la selezione di <b>10 posti </b>per partecipare al Workshop di progettazione “Terre Fragili #2”, che si terrà presso la città di Scaletta Zanclea (ME) nel periodo 16 - 25 marzo 2012.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">2. Tema di lavoro</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">La diffusione della percezione del disastro negli ultimi decenni ha alimentato l’insicurezza collettiva favorendo lo sviluppo di retoriche tecniciste che utilizzano l’ingegneria come soluzione lineare ai problemi. Al di sopra di una certa soglia di velocità e di occupazione dell’informazione un disastro assume una tale rilevanza sociale e culturale che costringe i saperi tecnici e le economie a riorganizzarsi esclusivamente all’interno della sua logica. Il collasso è sospensione del tempo che impone un ripensamento sulla durata delle trasformazioni e sul ruolo delle architetture.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Terre Fragili #2 è un workshop internazionale di architettura strutturato per accentuare il carattere site-specific del progetto. Il workshop vuole sperimentare nuove pratiche del progetto nei territori investiti da disastri. I temi del workshop indagano sulle aree colpite dall’alluvione di Messina del 1 ottobre 2009 per riorganizzare i frammenti dell’incidente in un nuovo ordine. Le attività sul campo coinvolgono interlocutori diversi dalle associazioni alle istituzioni, dai comitati civici alle imprese che operano sul territorio. Gli incontri che anticipano l’apertura del workshop sono orientati al confronto con esperti per costruire una lettura critica e un approfondimento sulle questioni individuate. Il workshop ha come finalità quella di costruire una gamma di scenari di trasformazioni possibili a partire dall’evento traumatico fino al tempo lungo (obiettivo 2050). Il lavoro d’investigazione sul campo mira a verificare in tempo reale, attraverso piccoli allestimenti, nuove possibilità di ripensare il futuro delle città e dei territori alla luce delle trasformazioni in corso.<b>3. Gruppi di lavoro</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Il workshop è struttutturato in un gruppo di critica e documentazione che ha come Tutor Manuel Orazi, (Edizioni Quodlibet Macerata) e con assistente Vincenza Santangelo.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br class="Apple-interchange-newline" />3. Gruppi di lavoro</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Il workshop è struttutturato in un gruppo di critica e documentazione che ha come Tutor Manuel Orazi, (Edizioni Quodlibet Macerata) e con assistente Vincenza Santangelo.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">4.Ospitalità</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">I laboratori si svolgeranno dal 16 al 24 marzo 2011 presso la palestra dell’istituto comprensivo Giacobbe di Scaletta Zanclea (ME). Ai partecipanti è riservata la possibilità di alloggiare presso l' Hotel “Le Giare” - Itala (ME) in mezza pensione pagando una quota di</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">420 o di optare per una sistemazione indipendente, pagando una quota di iscrizione al wks Terre Fragili #2 pari a<span class="Apple-tab-span"> </span>150.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">5. Modalità di partecipazione</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">I soggetti interessati dovranno far pervenire la propria candidatura in forma digitale all’indirizzo <span class="s1">terrefragili@icsplat.org </span>entro e non oltre le ore <b>12.00 del 10 marzo 2012<span class="Apple-tab-span"> </span></b>indicando nell’oggetto della e-mail <b>Partecipazione la Bando di selezione per il wks Terre Fragili #2</b>. La segreteria di ICSplat invierà una e-mail di conferma dell’avvenuta ricezione della domanda.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">La domanda dovrà essere corredata dalla seguente documentazione, da inviare in formato PDF (massimo 5Mb complessivi) in allegato alla e-mail: - curriculum del candidato completo di dati anagrafici, recapiti telefonici e indirizzo e-mail; - una selezione di 2 immagini significative di 3 progetti recenti.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">- autorizzazione al trattamento dei dati personali ai sensi del D. Lgs 196/03;</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">6. Iscrizione al workshop</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b></b>I selezionati che intendono partecipare al wks Terre Fragili #2 dovranno versare un anticipo di<span class="Apple-tab-span"> </span>200 <b>entro il 12 marzo 2012</b>, seguendo le indicazioni che riceveranno via e-mail. Il saldo della quota di iscrizione di<span class="Apple-tab-span"> </span>220 sarà effettuato il giorno dell’arrivo. I selezionati che provvedono autonomamente alla sistemazione verseranno l’intera quota d’iscrizione di<span class="Apple-tab-span"> </span>150 <b>entro il 12 marzo 2012</b>. N.B.: L’anticipo della quota di iscrizione, non verrà in nessun caso rimborsato.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">7. Crediti Formativi Universitari</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">I candidati potranno richiedere un certificato di partecipazione al workshop per il conferimento dei crediti formativi universitari in accordo con il regolamento dell’Università degli studi di provenienza.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">8. Tutela dei dati personali (D.Lgs. 30 giugno 2003 n. 196)</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">I dati personali relativi a ogni candidato saranno trattati da ICSplat al solo fine di consentire la partecipazione del candidato stesso alla presente selezione e l’adempimento di tutte le attività ad essa connesse, come sopra evidenziate. Il conferimento dei dati è obbligatorio per tutto quanto è richiesto al fine della partecipazione del concorrente al workshop e pertanto l’eventuale rifiuto a fornirli o al successivo trattamento, potrà determinare l’impossibilità per il concorrente di partecipare al workshop stesso, nonché per gli organizzatori di svolgere tutte le ulteriori attività connesse. I dati verranno trattati per l’intera durata del workshop e anche successivamente per l’espletamento di tutti gli adempimenti conseguenti. Il candidato potrà esercitare i diritti previsti dall’art. 7 del D.lgs. 196/2003.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">9. Obblighi dei concorrenti</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">I concorrenti, tramite la propria partecipazione alla selezione del workshop manifestano in maniera inequivocabile l’accettazione integrale di quanto contenuto nel presente bando nonché il proprio consenso al trattamento dei dati di cui al precedente punto 10.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">10. Comunicazione del programma</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Il programma dettagliato del wks Terre Fragili #2 sarà comunicato ai partecipanti insieme alla notizia della accettazione della candidatura.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">11. Riepilogo scadenze</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">10 Marzo 2012<span class="Apple-tab-span"> </span>scadenza invio candidature 12 Marzo 2012<span class="Apple-tab-span"> </span>saldo quota d’iscizione </span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">16 - 24 Maggio 2012<span class="Apple-tab-span"> </span>workshop Terre Fragili #2</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>ICSplat </b>si riserva la facoltà di apportare ogni e qualsivoglia modifica al programma stabilito che si dovesse rendere necessaria per cause estranee alla propria volontà o che, comunque, si dovesse rendere necessaria per la migliore riuscita del workshop stesso.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><b>Per maggiori informazioni: </b>Arch. Antonio Rizzo | mobile: +39 3208493257 | e-mail: <span class="s1">antoniorizzo@icsplat.org </span>| skype: antoerre</span></div>
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<br />LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-20229189359677465872012-03-02T11:59:00.001+01:002012-03-02T11:59:22.002+01:00Campus di fotografia TF2 | Peppe Maisto | Smottamenti domestici<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">Territorio e non paesaggio. Territorio è appartenenza. Paesaggio è qualcosa che osservo fuori da me. Territorio è inclusivo. È un palinsesto (Corboz) per piccoli o grandi segni di appropriazione. Il territorio contiene paesaggi differenti. Due racconti. Due territori. La scala geografica e la dimensione domestica. Visioni di territorio che si alternano a visioni intime dell'abitare. Territori percorsi senza abbassare il volume dei racconti di chi li abita. Racconti di sconvolgimenti di luoghi che mal sopportano l'abbandono. Pendii che scivolano. Che portano a valle case, abitanti e le loro storie. Le fiumare attraversano terre fragili e ne permettono l'attraversamento. Sono strumenti di visione. Una visione alternante di paesaggi rassicuranti e di una natura imprevedibile. Consentono la vista di insediamenti umani. Insediati lì per vedere e lasciarsi vedere. Le fiumare raccolgono ciò che i pendii rilasciano. Raccolgono frammenti di storia del territorio. I suoi margini segnano il limite tra natura e addomesticamento. Tra acque e pendii abitati. Gli argini contengono le piene. Contengono la storia dei livelli e del controllo delle acque. Contengono usi e trasformazioni dei pendii. Sezioni oblique che divengono terrazze. Terreni impervi che lasciano spazio a orti, agrumeti, campagna produttiva. Pendii che franano sotto improvvise e impreviste quantità di piogge. Smottamenti che spostano case e cose. Creano vuoto, abbandono, morte, là dove c'era vita. Smottamenti che creano nuovi paesaggi, nuove storie, nuovi racconti. Smottamenti che spostano memorie di case rese inagibili. Che costringono ad abitare case momentanee in attesa del ritorno. Che generano piccoli segni di riappropriazione. Smottamenti che realizzano nuove dimensioni domestiche.</span></div>
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<br /></div>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0tag:blogger.com,1999:blog-4096733966686066323.post-13721098205887117052012-02-24T12:09:00.000+01:002012-02-24T12:52:05.976+01:00PROROGA<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">BANDO PER LA PARTECIPAZIONE AL WORKSHOP "TERRE FRAGILI # 2"</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">scade il 01.03.2012</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">La diffusione della percezione del disastro negli ultimi decenni ha alimentato l'insicurezza collettiva favorendo lo sviluppo di retoriche tecniciste che utilizzano l'ingegneria come soluzione lineare ai problemi. Al di sopra di una certa soglia di velocità e di occupazione dell'informazione un disastro assume una tale rilevanza sociale e culturale che costringe i saperi tecnici e le economie a riorganizzarsi esclusivamente all'interno della sua logica. Il collasso è sospensione del tempo che impone un ripensamento sulla durata delle trasformazioni e sul ruolo delle architetture. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Il progetto è capace di misurare la questione e individuare le soluzioni possibili? </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Il collasso è in grado di porre l'obiettivo della messa in sicurezza, in modo da declinarla con la scoperta di altri modi per rigenerare parti di città o di paesaggio, cogliendo l'occasione per farle appartenere con più forza alla contemporaneità?</span><br />
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<a href="http://icsplat.altervista.org/Materiali/bando%20di%20selezione%20TF2.pdf" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-large;">scarica il bando</span></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #222222;">L’associazione culturale </span><b>ICSplat</b><span style="color: #222222;">, con il </span><span class="caps" style="border-bottom-width: 0px; border-left-width: 0px; border-right-width: 0px; border-top-width: 0px; color: #222222; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">DARC</span><span style="color: #222222;"> dell’Università degli Studi di Catania e il Dipartimento di Protezione Civile – Presidenza della Regione Siciliana, promuove la selezione di 30 posti per partecipare al Workshop di progettazione “Terre Fragili #2”, che si terrà presso la città di Scaletta Zanclea (ME) nel periodo 16 – 25 marzo 2012.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Terre Fragili #2 è un workshop internazionale di architettura strutturato per accentuare il carattere site-specific del progetto. Il workshop vuole sperimentare nuove pratiche del progetto nei territori investiti da disastri. I temi del workshop indagano sulle aree colpite dall’alluvione di Messina del 1 ottobre 2009 per riorganizzare i frammenti dell’incidente in un nuovo ordine. Le attività sul campo coinvolgono interlocutori diversi dalle associazioni alle istituzioni, dai comitati civici alle imprese che operano sul territorio. Gli incontri che anticipano l’apertura del workshop sono orientati al confronto con esperti per costruire una lettura critica e un approfondimento sulle questioni individuate. Il workshop ha come finalità quella di costruire una gamma di scenari di trasformazioni possibili a partire dall’evento traumatico fino al tempo lungo (obiettivo 2050). Il lavoro d’investigazione sul campo mira a verificare in tempo reale, attraverso piccoli allestimenti, nuove possibilità di ripensare il futuro delle città e dei territori alla luce delle trasformazioni in corso.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I tutors invitati al workshop TERRE FRAGILI #2 sono: </span></div>
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<b style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">Frederic Bonnet </b><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">| Università della Svizzera Italiana - Mendrisio </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Eduard Bru </b>| Universitat Politècnica de Catalunya ETSAB - Barcelona </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Luca Emanueli </b>| Università di Ferrara </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Manuel Orazi </b>| Edizioni Quodlibet - Macerata </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Marco Navarra </b>| Università di Catania </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Stefano Munarin / Maria Chiara Tosi </b>| Università IUAV di Venezia </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Juan Manuel Palerm </b>| Universidad ULPG Canarias - Gran Canaria</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I visitings che parteciperanno alla presentazione dei risultati del workshop sono: </span><br />
<b style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">Mario Lupano </b><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">| Università IUAV di Venezia</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Ilka Ruby </b>| RubyPress - Berlin </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Paola Viganò </b>| Università IUAV di Venezia</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">Requisiti per la partecipazione</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Possono partecipare alla selezione studenti, laureandi in architettura e giovani architetti </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I soggetti interessati dovranno far pervenire la propria candidatura in forma digitale all’indirizzo terrefragili@icsplat.org entro e non oltre le ore 12.00 del 01 marzo 2012</span></div>LO-FI Architecturehttp://www.blogger.com/profile/06464227224409962552noreply@blogger.com0